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I love you a lot, a little, nothing (1975), novel by Colombian author Félix Ángel, is built from multiple textualities and formal strategies. That experimentation of language, seen as a taxonomic relationship between word (in all its manifestations and possibilities) and image, and as a semantic development that responds to the evolution of the character, is the center of the narrative, building a multitextual work that concatenates multiple visions of the world, allowing the narrator to explore linguistic tools that textualities provide: the encounter between the referential and the iconic dimensions. I love you a lot, little, nothing becomes a powerful vision of the narrator and Pipe, the main character. The techniques employed by Ángel confront the analysis of a narrator rich in discourse and a complex and plural character, so the novel represents a source of experimentation.
